MSYLMA ISMAEL
مذاهب النسيان / The Tenets of Forgetting

Maara’s latest effort comes straight from the inner zone. Whether meant for use as vision quest guidance or club hedonism, Fancy Feast continues the Canadian’s tradition of crafting seductive, trance-inducing dance music in mesmeric fashion.‘Can’t Slo Down’ is a vehicle for transcendence. Locked-in, hypnotic fare with subtle gear shifts consistent with Maara’s propensity towards trippy atmospherics and urgent dancefloor dynamics. Then, in a heady alloy of ritual throb and fractal warehouse ruffness, ‘Highrollerz’ finds Maara at her most propulsive.Prog reigns supreme across the record, but 'Princess Express' has the third-eye dilating magick in full effect. It’s both fractal and functional, a ritual incantation with rugged appeal. ‘Rude, Crude & Out Of Control’, on the other hand, harks back to those halcyon days of the free party movement. Proper breakbeat torque with yet another healthy dose of prog.

Old friends John Cravache and I:Cube teamed up to release Chimère Fm’s debut album on Versatile records.Endless improvised studio sessions seamlessly blending electronic synthesis and post dada cinematics.Dreamy synth funk rubs against pagan rhythms and minimalist electronic drones.This album will take you to soundwave paradise. Chimère Fm is an imaginary radio station broadcasting its stellar weirdness live from Paris !

All compositions by Walter Whitney, except A1 by Whitney and Dominic Schaeffer.Produced and Engineered by Walter Whitney 4/82 to 8/83 at Subterranean Sound Studios.All instruments by Whitney except:Carl Weingarten (Slide Guitar on A3, Guitar Solo on B2), David Udell (Backing Guitar on B2), Dominic Schaeffer (Saxophone on A1, B5).Cover design by Carl Weingarten. Photo by Walter Whitney.All tracks remastered from original master tapes.

Eros’ Go For It is a fearlessly original take on Paradise Garage disco, mixed in a way that feels equally Mad Professor and Walter Gibbons. The story of Eros begins in a high school in Vauxhall, New Jersey in the mid 70s when four kids began a friendship based around their mutual love of soul, funk, rock, disco, and bands like Earth, Wind & Fire and Funkadelic. Assanouan G’Bado, Fletcher Gaines, Bobby Jones and Mike Freeman started off jamming after school, playing occasional gigs in New York and honing in on an original sound. When the group graduated, Assanouan and Bobby went off to the service and Fletcher went to university. Eros reunited in the late 70’s and began taking things more seriously, producing a set of songs with the intention of getting a deal with Motown. The morning after recording a full album’s worth of material, the group flew to Detroit hoping to sign a record deal. The legendary label was interested in the songs, but made them an offer that didn’t feel right for the group. The songs were shelved and Fletcher and Bobby moved on to new ventures. Mike and Assanouan pursued a self-released single on their own DAP records, reinterpreting two of their Motown demos with drum machines and overdubs to fill in for their two missing bandmates. Go For It was their individual take on disco, and the new 1985 remake took the AOR-oriented demo version, and transformed it into a transcendent dance floor illusion, that, in an alternate universe, would have turned dancers at the Paradise Garage upside down. Similar to Stephen Encinas’ un-classic, the song mutates deftly at the half-way point, opening up into a stripped-down and dubbed-out denouement, adorned in cascading electronics and the soaring vocals of Barbara Green. Go For It is the first of two releases from Eros on Mixed Signals, and pairs the group’s expanded electronic remake with the original Motown version, rescued from the last surviving demo cassette. Stay tuned for the unreleased demo album Motown missed out on, slated to come out later this year.

NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds Hypnotic ancient Espionage Techno-House HybridNS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 secTargeted Dance-Floor Rhythms