The 4th Wave
Attention Please

Maara makes seductively uninhibited, proggy dance music. In fact, she’s quickly becoming one of its foremost exponents. Barely pausing for breath between releases, ‘Spiral 2 the Other Side’ finds the Montreal artist summoning divine feminine frequencies with a hypnotic, ritual-ready 4-tracker.Some Maara productions are shot through with an almost radiant optimism, but here, darkroom throb prevails. Big on the gated vocals, ‘Spiral 2 the Other Side’ achieves cybernetic sensuality through trippy,moiré-d electro, while ‘Take the Wheel Miss Sweetie’, with its driving, fathoms-deep approach, provides a direct take on the blueprint.The Canadian assumes the role of high priestess on the flip. ‘Forget the world’ is a ritual incantation for bridging seen and unseen worlds; prog house magick with shades of ‘90s trance utopia. Rounding things off with a tunnelling electro tripper, ‘Doom Quest’ references the vortex-dwelling atmospherics of early tribal modes to mind-altering effect.

Special mirrored silver foil gatefold cover with banderole.Pressed on crystal clear vinyl.One time pressing.

A unique, exquisite and mythical interpret surfaces to add some more joy and love to our world.

It’s been now 25 years that Olivier Portal has been Playin’ 4 the City.Very versatile in the beginning, he has nurtured his productions while doing club residencies in Paris and Chicago, making his music all the more dancing and developing a very original touch drawing near to the sounds of Chi -Town and New Jersey. By the end of the 90’s, he collaborated with many DJ’s and producers such as DJ Deep, Julien Jabre and Franck Roger among others, thus gaining a real credibility and much respect from the underground Parisian house scene and the world at large.The Music & The Rhythm 1997-2003 brings back to the forefront some of the most anthemic tracks reflecting a very creative period in which Olivier Portal hooked up with great vocalists and players to produce his own style of deep house rich in soulful vocals, jazzy harmonies, funky bass lines and his trademark keyboard layers. This triple LP brings back to light some of the most emblematic tracks reflecting a very creative period during which Olivier Portal teamed up with excellent vocalists and instrumentalists to produceThis compilation, besides offering the best of the Straight Up era with some great classics like the smooth "Music and the Rhythm", the seminal "More Than Ever" and crucial tracks like "The Shore" and "Deep Inside", also entitles us to retrieve very in demand gems like "Atmosfear’s Vibe", "Spirits" and "My City Life" that now fetch hefty prices in the 12” market.Limited edition of 500 copies. More good news: P4TC will put out a new album early next year. Enjoy the Music and the Rhythm!

"Summer has arrived and with it our first club release in ages, a high energy burner by KΣITO from Tokyo, Japan. We are more than excited to welcome this talented MPC finger drummer Keito Suzuki to fiery post-lockdown dance floors. He draws inspiration from the South African Gqom and percussive music, and in his own stately way he merges big room intensity with an experimental explosion of weirdness. Expect bare bones techno, full of earworm hooks. Tolouse Low Trax and Kӣr complement this record with a bunch of psychedelic remixes, creating a great balanced journey. "Artwork by Marta Marinotti.

Black Truffle is pleased to present Sylva Sylvarum, an epic new work from Ora Clementi, the collaborative project of crys cole and James Rushford. Primarily conceived and recorded over several months together in Melbourne, Sylva Sylvarum is a stunning step forward from the mumbled, creaking sound world of the duo’s debut, Cover You Will Softer Me (Penultimate Press, 2014). From the opening ‘Peach of Immortality’, which takes an unpredictable journey from layers of chiming bells, vocal harmonies and lush synth pads to a desolate landscape of half-animal, half-digital wooshes and cries, it is immediately clear that cole and Rushford are working here with an entirely unique sound palette. Throughout the record’s four sides, we hear a large array of carefully detailed synthesizer sounds (many of them recorded at the remarkable Melbourne Electronic Sound Studio), sparse drum machine hits, wind instruments and field recordings of animals, often with a twistedly late 80s/early 90s flavour that at various points calls up New Age references, Robert Ashley’s later operas or the thinned-out textures of early digital GRM.