David Durrah
Venus Fly Trap

Calibro 35, the legendary crime funk combo sampled by Dr.Dre and Jay-Z, announce the reissue of "Traitors", their iconic fourth album, on Crystal Red vinyl and digital deluxe edition with bonus tracks.Record Kicks proudly presents the reissue of CALIBRO 35's fourth legendary long-time sold out album "Traditori Di Tutti" (Traitors) on March 04thon limited edition crystal red vinyl and digital "deluxe" edition with bonus tracks.The publication is part of "The Record Kicks Trilogy" that follows the reissue of the first three albums of the band, released in 2020. This time, Milan label Record Kicks will repress on wax of three different colours and on digital deluxe edition, the fourth, fifth and sixth legendary studio albums of the Italian cinematic-funk cult band. The digital deluxe edition of"Traditori Di Tutti" includes 2 bonus tracks: a crime funk cover of "Get Carter", originally released as a b-side of the "Butcher's Bride" 45 vinyl, and the unreleased funky stormer "Milan, Michigan"."Traditori Di Tutti" is the fourth album by Milan's combo, inspired by noir masterpiece novel "Betrayers"published by the father of Italian noir, award-winning crime fiction author Giorgio Scerbanenco. The album contains only band's original recordings, from floor-shaking first single "Giulia Mon Amour" to groovy "The Butcher's Bride", from deep funky "Filthy Bastards" to the dancefloor jazz madness of "Mescalina 6". The five-piece pays homage to "I Maestri" such as Morricone, Micalizzi and Bacalov with 12 tracks full of funky beats, heavy guitars, groovy bass lines and fuzzy organs.There's one thing that Italians do better than others: funky soundtracks. Quentin Tarantino knows best: soundtracks from Italian movies of the '60s and the '70s are the THING! "Calibro 35 does with music what Tarantino does with films". They borrow what they love and they make it their own. With Rolling Stone magazine words "Calibro 35 are the most fascinating, "retro-maniac" and genuine thing that happened to Italy".Active since 2008, CALIBRO 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their fourteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

Wildflower, the project comprising Idris Rahman, Leon Brichard and Tom Skinner, continues its journey with the third release Better Times, setting ahead with a deep, relentless and unique sound, constantly evolving and effortlessly hitting the aim.The beauty of Blue, Yellow, Green and Red, recorded in London in 2019, lies in the openness to form and structure these tunes, whilst a sense of groove and melodic development is maintained throughout. The confidence and versatility of the musicians is key, and so is the interaction between them, characterising a natural flow of unfolding musical ideas and embracing a New York musically care-free ethic, without having to wear their combined influences on their sleeves.Each song has a colour reference suggestive of mood tone and internal balance, enabling the audience to concur that Wildflower is not just a band, it is as ever an experience and one that allows its listeners to emerge and engage in a time where a perfect fusion of global sounds and jazz exists as a remedy, one you can feel and enjoy the benefits from everyday.Better Times by Wildflower is the debut release on Tropic of Love Music.

Shrimp Boats by Lionel Pillay feat. Basil Mannenberg CoetzeeAssembling unreleased recordings from 1979 and 1980, Shrimp Boats is a South African jazz archival compilation from 1987 built around its epic side-long title track featuring saxophonist Basil "Mannenberg" Coetzee. The recording was made during pianist Lionel Pillay's November 1979 session with Coetzee for the As-Shams/The Sun album Plum and Cherry. Side Two is composed of material recorded in September 1980 from the session for Lionel Pillay's Deeper in Black album. The 1951 pop standard "Shrimp Boats" was first given its unlikely jazz arrangement by Abdullah Ibrahim (recording as Dollar Brand) in 1971. Pillay and Coetzee take this seed of an arrangement to its furthest reaches with their mesmerising performance. Although the title track casts a big shadow, Pillay's "Slow Blues for Orial" is a welcome original composition on the flip side that stands proudly next to a rare 1970s cover of Winston "Mankunku" Ngozi's "Yakhal 'Inkomo" (Pillay was the pianist on Mankunku's original 1968 recording) featuring saxophonists Barney Rachabane and Duke Makasi. The set closes with a nod to the contemporaneous jazz fusion scene with a take on Weather Report's "Birdland" from 1977.

Jazzaggression · Webster Lewis Quintet Live at Kongsberg Jazz 1971 snippetsFollowing up on the legendary Club7 album from 1971 by this same group, here is a live recording made in August that same year at Kongsberg jazz festival in Norway. This Quintet from Boston plays a strong sense of seventies American groove-laden jazz but with a raw soulful rhythm and blues approach that is completely unique! Captured on tape in Norway at the time the band was there with George Russel, a few months after the legendary Club7 recordings. Here we have 3 new unheard instrumental tracks by the group, and fierce versions of The Look Of Love, It was a very good year and Sometimes I feel Like a Motherless featuring Judd Watkins deep baritone voice icing the cake! Although this live recording at times has some volume and distortion issues the music is completely unmissable and as good as it gets. Comes in limited 250 hand-stamped sleeve.

Fabled as the city where dreams come to thrive or die, Johannesburg is forever pumping out the life-giving force of criss-crossing sonic tributaries. As this collection of specially-recorded new music shows, every generation must discover for itself what perfecting the alchemy of that expression entails. Indaba Is - produced and managed by pianist Thandi Ntuli and The Brother Moves On bandleader Siyabonga Mthembu, tackles that inquiry with refreshing insight.Overall, the pair also provided enabling briefs which harnessed the collective energy of scenes often seen as operating centrifugally to Johannesburg’s all-consuming pull, or a little further down in its tiers of visibility. There are several examples where this approach yields astounding results.Indaba Is by Various Artists

"Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital."